{"id":29284,"date":"2025-09-09T09:00:00","date_gmt":"2025-09-09T12:00:00","guid":{"rendered":"https:\/\/www.ciddic.unicamp.br\/ciddic\/?p=29284"},"modified":"2025-08-07T11:15:18","modified_gmt":"2025-08-07T14:15:18","slug":"divulgation-winter-school-composing-auditory-space","status":"publish","type":"post","link":"https:\/\/www.ciddic.unicamp.br\/ciddic\/divulgation-winter-school-composing-auditory-space\/","title":{"rendered":"DIVULGATION: Winter School Composing Auditory Space"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>Immersive Audio in Music, Sound, Art, and Virtual Environments<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Three days intensive lectures and hands-on workshops for artists and engineers with <strong>Markus Noisternig (IRCAM, FR)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mandatory registration:<\/strong> <a href=\"https:\/\/forms.gle\/xEkuYoenmz2C13ZD7\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/forms.gle\/xEkuYoenmz2C13ZD7<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Summary:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The manipulation of auditory space has emerged as a fundamental compositional element in contemporary music, sound art, and multimedia performance. Recent advances in spatial audio technologies \u2013 such as Higher-Order Ambisonics (HOA), Wave Field Synthesis (WFS), and binaural rendering \u2013 have enabled highly immersive and interactive sound experiences, especially when integrated with virtual and augmented reality (VR\/AR) platforms.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This winter school offers a comprehensive introduction to the theoretical principles, technical implementations, and artistic applications of state-of-the-art spatial audio techniques.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participants will examine multichannel audio signal processing, sound field synthesis, and the psychoacoustics of spatial hearing. Further emphasis will be placed on room acoustics, reverberation modeling, and the challenges of real-time auralisation in immersive virtual environments.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The final day is devoted to practical workshops aimed at sound artists and composers, focusing on creative spatialization strategies, current production tools, and prototyping immersive audio works. This hands-on approach enables participants to translate technical knowledge into artistic practice within VR\/AR contexts.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Audience:<\/strong> students, researchers, sound artists, and composers<\/li>\n\n\n\n<li><strong>Prerequisites:<\/strong> Basic knowledge of audio signal processing and music technology recommended<\/li>\n\n\n\n<li><strong>Software Requirements:<\/strong> Max\/MSP, Reaper recommended<\/li>\n\n\n\n<li><strong>Registration mandatory through the following link:<\/strong> <a href=\"https:\/\/forms.gle\/oHBT1LWL1AS5Kd3B9\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/forms.gle\/xEkuYoenmz2C13ZD7<\/a><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Location:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The winter school will take place on the UNICAMP campus September 9, 10 and 11 with the exact location to be announced shortly.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Realization:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Organization:<\/strong><br>Institut de recherche et coordination acoustique musique (IRCAM, Paris France)<br>Faculdade de engenharia el\u00e9trica e da computa\u00e7\u00e3o (FEEC-UNICAMP, SP, Brasil)<br>N\u00facleo Interdisciplinar de Comunica\u00e7\u00e3o Sonora (NICS-UNICAMP, SP, Brasil)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>With the financial support of:<\/strong><br>FAEPEX<br>CNRS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Certificates:<\/strong><br>Certificates will be delivered to the active participants to the three days of winter school.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Full informations at: <a href=\"https:\/\/www.nics.unicamp.br\/2025\/07\/15\/markus\/\">https:\/\/www.nics.unicamp.br\/2025\/07\/15\/markus\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Immersive Audio in Music, Sound, Art, and Virtual Environments Three days intensive lectures and hands-on workshops for artists and engineers with Markus Noisternig (IRCAM, FR) Mandatory registration: https:\/\/forms.gle\/xEkuYoenmz2C13ZD7 Summary: The manipulation of auditory space has emerged as a fundamental compositional element in contemporary music, sound art, and multimedia performance. Recent advances in spatial audio technologies [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[43,62,57],"tags":[],"class_list":["post-29284","post","type-post","status-publish","format-standard","hentry","category-cdmc","category-fwd_divulgacao","category-noticias-informativo-cdmc"],"_links":{"self":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts\/29284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/comments?post=29284"}],"version-history":[{"count":1,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts\/29284\/revisions"}],"predecessor-version":[{"id":29285,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts\/29284\/revisions\/29285"}],"wp:attachment":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/media?parent=29284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/categories?post=29284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/tags?post=29284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}