{"id":30041,"date":"2025-12-13T17:00:00","date_gmt":"2025-12-13T20:00:00","guid":{"rendered":"https:\/\/www.ciddic.unicamp.br\/ciddic\/?p=30041"},"modified":"2025-12-10T16:48:21","modified_gmt":"2025-12-10T19:48:21","slug":"concerto-eudoxia-de-barros-toca-na-sociedade-brasileira-de-eubiose-2","status":"publish","type":"post","link":"https:\/\/www.ciddic.unicamp.br\/ciddic\/concerto-eudoxia-de-barros-toca-na-sociedade-brasileira-de-eubiose-2\/","title":{"rendered":"CONCERTO: Eud\u00f3xia de Barros toca na Sociedade Brasileira de Eubiose"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Dia&nbsp;<strong>13 de dezembro<\/strong>, s\u00e1bado, \u00e0s 17h, a grande pianista&nbsp;<strong>Eud\u00f3xia de Barros<\/strong>&nbsp;toca na<strong>&nbsp;Sociedade Brasileira de Eubiose<\/strong>. Gr\u00e1tis!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No bel\u00edssimo repert\u00f3rio obras de compositores brasileiros como Camargo Guarnieri, Ernesto Nazareth, Fernando Cupertino, Frutuoso Vianna, Nilc\u00e9ia Baroncelli e Osvaldo Lacerda, somado a Bach, Liszt, Schumann e Shostakovitch.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Eud\u00f3xia de Barros&nbsp;<\/strong>foi a primeira int\u00e9rprete a se debru\u00e7ar intensamente sobre a obra de&nbsp;<strong>Ernesto Nazareth com a grava\u00e7\u00e3o do LP&nbsp;<\/strong>Ouro sobre o Azul e tocar pelos mais rec\u00f4nditos espa\u00e7os por todo o pa\u00eds desde aquela \u00e9poca. Eud\u00f3xia gravou posteriormente mais dois LPs com suas obras.&nbsp;\u00c9 uma das principais int\u00e9rpretes e refer\u00eancia quando o assunto \u00e9 Ernesto Nazareth, compositor imortalizado por&nbsp;<em>Odeon<\/em>&nbsp;e&nbsp;<em>Apanhei-te cavaquinho<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A renomada pianista gravou mais de 47 \u00e1lbuns. Ocupa desde 1989, a cadeira n\u00famero 14 da Academia Brasileira de M\u00fasica. Em 2016, sua ex-aluna Ros\u00e2ngela Paciello Pupo escreveu um livro sobre sua vida intitulado &#8220;Valeu a pena? Conversando com Eud\u00f3xia de Barros&#8221;. Em 2017, foi convidada pela COMEP (Edi\u00e7\u00f5es Paulinas) a realizar a grava\u00e7\u00e3o completa da obra pian\u00edstica de Osvaldo Lacerda, dispon\u00edvel nas plataformas, tendo convidado outros seis pianistas para se unirem a ela.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Programa<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bach \u2013 Liszt &#8211; Grande Fantasia em sol menor<\/li>\n\n\n\n<li>Schumann &#8211; Estudos Sinf\u00f4nicos opus 13<\/li>\n\n\n\n<li>Shostakovitch &#8211; Florian Noack &#8211; Valsa n\u00ba 2<\/li>\n\n\n\n<li>Osvaldo Lacerda<\/li>\n\n\n\n<li>Brasiliana n\u0665 3 (Cururu, Rancheira, Acalanto e Quadrilha)<\/li>\n\n\n\n<li>Tr\u00eas Valsas Brasileiras<\/li>\n\n\n\n<li>Fernando Cupertino &#8211; Primeira Valsa<\/li>\n\n\n\n<li>Nilc\u00e9ia Baroncelli &#8211; Convidativa&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/li>\n\n\n\n<li>Camargo Guarnieri &#8211; Valsa n\u00ba 9<\/li>\n\n\n\n<li>Ernesto Nazareth &#8211; Escorregando (tango)<\/li>\n\n\n\n<li>Fructuoso Vianna &#8211; Dan\u00e7a de Negros op. 2 n\u00ba 1<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Servi\u00e7o:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Recital de Eud\u00f3xia de Barros (piano)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dia&nbsp;<strong>13 de dezembro<\/strong>, s\u00e1bado, \u00e0s 17h<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sociedade Brasileira de Eubiose<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Av. Lacerda Franco, 1059 \u2013 Aclima\u00e7\u00e3o<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">201 lugares<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gr\u00e1tis!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dura\u00e7\u00e3o: 1h15<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Foto de Leandro Armbrust<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Assessoria de imprensa<br>Miriam Bemelmans<\/strong><br><a href=\"mailto:miriam@bemelmans.com.br\" target=\"_blank\" rel=\"noreferrer noopener\">miriam@bemelmans.com.br<\/a><br>(11) 9 9969-0416<br><a href=\"http:\/\/www.bemelmans.com.br\/\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.bemelmans.com.br<\/a><br>Instagram:&nbsp;<a href=\"https:\/\/www.instagram.com\/mbemel\/\" target=\"_blank\" rel=\"noreferrer noopener\">@mbemel<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dia&nbsp;13 de dezembro, s\u00e1bado, \u00e0s 17h, a grande pianista&nbsp;Eud\u00f3xia de Barros&nbsp;toca na&nbsp;Sociedade Brasileira de Eubiose. Gr\u00e1tis! No bel\u00edssimo repert\u00f3rio obras de compositores brasileiros como Camargo Guarnieri, Ernesto Nazareth, Fernando Cupertino, Frutuoso Vianna, Nilc\u00e9ia Baroncelli e Osvaldo Lacerda, somado a Bach, Liszt, Schumann e Shostakovitch. Eud\u00f3xia de Barros&nbsp;foi a primeira int\u00e9rprete a se debru\u00e7ar intensamente sobre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[43,58,57],"tags":[],"class_list":["post-30041","post","type-post","status-publish","format-standard","hentry","category-cdmc","category-fwd_concerto","category-noticias-informativo-cdmc"],"_links":{"self":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts\/30041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/comments?post=30041"}],"version-history":[{"count":1,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts\/30041\/revisions"}],"predecessor-version":[{"id":30042,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/posts\/30041\/revisions\/30042"}],"wp:attachment":[{"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/media?parent=30041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/categories?post=30041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ciddic.unicamp.br\/ciddic\/wp-json\/wp\/v2\/tags?post=30041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}